[identity profile] karentheunicorn.livejournal.com posting in [community profile] deathtocapslock
Pottermore, if the yahoo info below is true apparently it's a online game...why am I not surprised - IF it is a game, who wants to take a wild guess they want us to pay to play it.

http://blog.games.yahoo.com/blog/792-report-j-k-rowling-to-unveil-harry-potter-online-game

Date: 2011-06-23 03:28 am (UTC)
From: [identity profile] madderbrad.livejournal.com
And yeah, 2003-ish seems to be the series' peak. It was certainly when I was the most fannish.

I miss those days. Even before book 6 came out it wasn't Rowling's actual work that entranced me; it was all of the fan fiction, all the *creativity*. And that's really died down since the series was completed.

The first few years after DH came out I got a lot of satisfaction collating all of Rowling's near infinite errors - it amazes me to this day; DH surely must have the record of being the world's most commercially successful literary failure?! - but one, one and a half years ago the discovery of new errors to discuss and mock petered to a dribble. deathtocapslock has been one of the few bright spots in my HP hobby since then; I came in with montavilla's review of DH (complete with 'DVD extras'!) and then sister magpie's critique of PoA (where I learned all about Jabootu scores!). Excellent humour as the dessert to a couple of years of serious Potter 'research' and investigation into DH's near infinite failures.

It was a weird feeling when this Pottermore thing came up. If it was going to be another Rowling effort ... well, I know the woman's capabilities now, she can't finish what she starts, she's a lousy author in several important respects. So it wouldn't be worth my reading. I've enjoyed pulling apart her seven books because I was deep into HP before she wrecked it all with her last two novels, but I didn't think I'd jump into something brand-new just for the (negative) motivation of poking fun at it.

Also, after all those years of condemning the woman's abilities, I was bemused to find that I was sort of *embarrassed* on her behalf. I put myself in her place and couldn't see myself daring to raise my head again in the literary world. Not after those last two books. It was a weird feeling. But it made me think the odds were against this Pottermore being anything more than other people licensing Rowling's world as a cash cow platform.

On the other hand, if others were going to be involved ... well, it would be like the fan fiction that I've enjoyed so much, maybe. People superior to Rowling in their abilities creating work with the characters and settings I like so much. So in that case it might be worthwhile investigating.

(Although any licensed/official HP derivation would no doubt be required to conform with canon's OBHWF romances, so that would be a stumbling block for my getting on board, depending on the nature of the work.)

Ah well. In a day or so we'll find out what it's all about for sure. It's already 'Thursday' where I am. :-)

Date: 2011-06-23 03:43 am (UTC)
From: [identity profile] charlottehywd.livejournal.com
You make a good point about the fan community vs. the actual canon that Rowling devised. I was in high school and early college during the books' real peak, and the community that was built up around discussing and appreciating them was one of the best I have ever come across. The sad thing really is less the poor quality of the books and more the fact that the fanbase as I see it has become less a warm and open one that enjoyed discussing and theorizing and more a closed, unfriendly one that cracks down on any dissent about JKR's writing abilities. What happened?

Date: 2011-06-23 05:05 am (UTC)
From: [identity profile] madderbrad.livejournal.com
What happened?

I've learnt a lot analysing the behaviour of the pro-Jo fan zombies and predicting their moves over the years. It's been a really interesting introduction to 'Psychology 101' for me.

You've got a couple of factors driving the pro-Jo crowd. First of all there's the basic reluctance in many people to admit to a mistake. Practically every feral fan I've encountered has ended up hurling insults and retreating rather than say "you're right, that was a HP/Rowling/DH error". (I came across one polite one who didn't do the insults, but still ran away at warp speed from any frank/objective look at the topic. "I say that HP constitutes 'good writing' and-now-I'm-banning-you-from-saying-otherwise-in-my-journal-and-making-up-reasons-why-I'm-not-an-intellectual-coward-for-doing-this-so-I-can-justify-it-in-my-mind".)

Then there's the 'idol' factor, which I liken to that Hans Christian Andersen "The Emperor's New Clothes" story. Once people hitch their wagon to a star they will fight tooth and nail to keep them there. Plus they'll support each other in a mob rather than be the first to break away, say "I'm wrong" and thus damn the rest of the sheep/friends.

Then, driving these basic responses, you've got 'cognitive dissonance' and "The Devil's Paradigm" (hmmm, I might be mislabelling the latter. I know 'devil' is in it though. The ability for people to denote an opponent as 'the enemy' so it can become and 'us and them' situation, where 'them' aren't worthy of respect or polite discourse or the inconvenience of defending their Jo) as various psychological processes which allow the fan zombies to persevere with their thou-shall-not-say-anything-bad-about-Jo mantras and still maintain a semblance of self-respect in their own minds.

It's been extremely interesting. There must be papers written about fandom psychology out there, I should really go looking for them.

Date: 2011-06-23 05:29 pm (UTC)
From: [identity profile] charlottehywd.livejournal.com
That's really fascinating. If you find any such papers on fan psychology, please do pass them on!

Date: 2011-06-23 06:01 pm (UTC)
From: [identity profile] night-axe.livejournal.com
First of all there's the basic reluctance in many people to admit to a mistake

Some of them may not even know they're mistaken. I've run into a few who liked DH and honestly thought it was good, not having the experience to know why it was bad. If someone points out DH sucked they're likely to take it personally, as saying they must be stupid or have bad taste.

In addition, many people get hostile when they feel someone's harshing their squee. This is a cross-fandom phenomenon. "Why do you even watch the show if you hate it so much? Why would anyone waste energy critiquing stuff they dislike instead of writing about stuff they enjoy?" The idea that some of us enjoy critique, and that this is a valid form of engaging with the source, hasn't sunk in.

Date: 2011-06-24 12:16 am (UTC)
From: [identity profile] madderbrad.livejournal.com
It's the "taking it personally" thing which is one of the facets of this that I find so interesting. I understand it, of course; I feel the same if I've been happy with something and have attached my name/support to it and then someone comes along and shows that I'm in error. It's embarrassing.

But, for me, the (objective) truth means more than trying to prop up something that I now know is flawed. I have no respect for those who'll do everything and anything they can - run away, hurl insults, etc - to avoid simply saying "oh, yeah, I got that wrong". Ego versus sense of truth I guess.

I believe one sign of maturity is the ability to admit to an error, to concede defeat, to say "yes, I was wrong, and you're right". A lot of (adult) fans just can't do that.

The idea that some of us enjoy critique, and that this is a valid form of engaging with the source, hasn't sunk in.

For many of us it's the only way we can get our money's worth from our HP books. :-)

Date: 2011-06-24 03:19 am (UTC)
From: [identity profile] charlottehywd.livejournal.com
The idea that some of us enjoy critique, and that this is a valid form of engaging with the source, hasn't sunk in.

I might be weird, but I personally find it almost as enjoyable to pick apart a bad book in the hopes of learning from the author's mistakes as to read a really good book instead. Both are useful and often fun experiences, just in a different way.

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