Nagini's attack on Arthur in OotP
Sep. 18th, 2011 09:01 amWe know that Arthur was an Order member, guarding the door to the DoM (and asleep on the job under an invisibility cloak which didn't hide him from a creature that hunted by heat and scent), when Voldemort's snake attacked him.
What did the Ministry think, and the average Prophet reader?
If Fudge had realized Arthur was there on Dumbledore's orders, surely he'd have sacked him?
In fact, why wasn't Arthur sacked anyway? What business had he to be in the Ministry at all in the middle of the night? Much less loitering suspiciously outside the DoM with an invisibility cloak?
And just what kind of security does the Ministry have, that Order members, Voldemort's slaves and pets, and schoolkids, can come and go after hours as they please? I've never worked anywhere that didn't lock up when everyone left.
In fact, aren't the Aurors based in the building? Shouldn't they have a night shift (what, Dark wizards never operate at night, you tell me?), and therefore a night shift on reception to check people in who have business there?
Finally, if Fudge didn't think the snake was Tom's pet, whose did he think it was and how did he think it got in and escaped?
Thoughts?
What did the Ministry think, and the average Prophet reader?
If Fudge had realized Arthur was there on Dumbledore's orders, surely he'd have sacked him?
In fact, why wasn't Arthur sacked anyway? What business had he to be in the Ministry at all in the middle of the night? Much less loitering suspiciously outside the DoM with an invisibility cloak?
And just what kind of security does the Ministry have, that Order members, Voldemort's slaves and pets, and schoolkids, can come and go after hours as they please? I've never worked anywhere that didn't lock up when everyone left.
In fact, aren't the Aurors based in the building? Shouldn't they have a night shift (what, Dark wizards never operate at night, you tell me?), and therefore a night shift on reception to check people in who have business there?
Finally, if Fudge didn't think the snake was Tom's pet, whose did he think it was and how did he think it got in and escaped?
Thoughts?
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Date: 2011-09-19 04:05 pm (UTC)no subject
Date: 2011-09-19 11:02 pm (UTC)I should be used to your taking-canon-to-the-extreme thinking - incorporating all the Rowling errors and trying to work out the ultimate 'unified HP theory' - by now. I mean, we all *know* that Dumbledore wouldn't deliberately place kids in danger, right? Just like we all *know* that Harry's a hero and had a 'power of love', and ... oh dear. :-)
Seriously, where is it canon that Dumbledore knew about Quirrel's possession? It's not like he ever said "I knew about Quirrell' at any stage, right?
I've come across fan fiction stories which had Dumbledore deliberately putting Harry's life on the line, and that "we had to let him test his strength" stupidity at the end of DH is *consistent* with that idea, but hardly proof.
Harry could have so easily been killed by Quirrell at the end, that nature of Lily's protection wasn't known (as far as I know) ... I'm loathe that the whole thing was a pretence.
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Date: 2011-09-20 12:20 am (UTC)Look whom he sent to transfer it - Hagrid, who is so proud to tell everyone he meets that he is doing some top secret very important service to the headmaster.
OK, he has one good reason to send Hagrid on this mission - he can't be impersonated with Polyjuice. But otherwise, not the best choice.
Then he involves 6 other staff members in the 'hiding', including that young fellow that just returned with a personality transplant. (Possibly also while those mysterious 'sources' reporting that Tom is no longer in Albania.) And he has the whole hiding mechanism accessible to anyone willing to try.
If he had been serious about hiding the stone, why not keep it in his private rooms? On his person? In a mokeskin pouch? Or use a variation on whatever it is the goblins use at the bank for those high-security vaults that only open when a goblin touches them? (The mokeskin pouch in DH can be seen as such a variation, but the principle was present from book 1).
In any case, we know for certain that Albus suspected Quirrell early in the year, probably before Halloween, because he warned Severus to watch out for Quirrell, and on Halloween Severus already suspects Quirrell and tries to beat him to the third floor when Quirrell lets the troll in as a diversion. Yet Albus leaves the stone there. We also know Hagrid received the dragon egg in Aberforth's pub so Albus should have figured out Quirrell was making progress then (someone gives Hagrid a dragon egg - surely not out of the goodness of his heart, shortly after that unicorns start dying in the forest) but he still doesn't move the stone. Even if the pub was not planned to belong to Albus' brother, we know Albus found Harry's invisibility cloak on the Astronomy Tower.
What it adds up to is that Albus used the stone to keep Tom or his agent (or as it turned out, both of them) busy chasing the stone. So he made sure they knew the stone was going to be at Hogwarts. He was confident enough that they wouldn't be able to breach the Mirror of Erised. Apparently he was planning to catch Quirrell by the mirror when he despaired of getting the stone. What we don't know is what he was going to do with Quirrell if he had found him alone there. Did he have any means to capture the disembodied Tom? Or was he counting on Tom remaining stuck to Quirrell when the latter was captured?
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Date: 2011-09-20 12:42 am (UTC)no subject
Date: 2011-09-20 02:25 am (UTC)no subject
Date: 2011-09-20 01:21 am (UTC)Yeah, but I was wondering if there was an actual admission that Dumbledore set things up as a trap. Actual canon proof rather than our supposition.
Like this:
In any case, we know for certain that Albus suspected Quirrell early in the year, probably before Halloween, because he warned Severus to watch out for Quirrell
I dimly remember that, thanks.
Okay, so it was a deliberate trap for the wraith ... allowing a school full of innocent children to be exposed to the dark lord in the process, tch. But Harry's running the gauntlet was still unplanned, right, according to canon?
Still, I'm surprised to be reminded that it was a deliberate trap for Quirrell. Something that Rowling intended all along, given that warning for Snape ... but she never reminded us of it again. She never 'used' that fact, never had any character note it in trying to prop up the headmaster's reputation as an astute leader. Instead I'm left with the overall impression that Dumbledore was crossing his fingers for most of the series.
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Date: 2011-09-20 02:23 am (UTC)Sorta. I don't think Albus *needed* Harry to 'save' the stone. But he seemed to have been dangling the stone in front of Harry to a degree, and encouraged recklessness in general. The dangling was in the form of having the stone removed from Gringotts very dramatically in front of Harry. The encouragement of recklessness was in the form of the gift of the invisibility cloak - and returning the cloak to Harry after he used it for the dragon adventure. Also, there was the matter of the forest detention - Minerva's name was on the letter, but I doubt Albus didn't know about it. Which means he either let or even encouraged a nightly encounter between Harry and -er - someone who was relying on unicorn blood to stay alive.
If Hagrid was reporting to Albus about his conversations with the trio then he also knew that the trio was after Flamel and had run across Fluffy, but we don't know any of this for certain, just that Hagrid tends to blab a lot so it's hard to see him keeping anything from Albus the entire year.
Some say Albus wanted to know what Harry saw in the Mirror of Erised as a personality test (how much is he influenced by the Horcrux?), but returning the cloak after it was used recklessly (rather than confiscating it as normal teachers would do) means Albus wanted more recklessness from Harry.
(And to some readers the fact that Harry ended up believing Albus wanted him to go after the stone and meet Voldemort is enough.)
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Date: 2011-09-20 04:07 am (UTC)But, though it's pretty clear that the maze was a trap for Quirrell, it's also true that she never referred to it again. And yes, the "prophecies don't matter" thing when Bode actually died protecting it is maddening!
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Date: 2011-09-22 11:03 pm (UTC)Yup. Reading that made me an even more madder Brad.
(sorry, had to say it, I'll go away now ...)
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Date: 2011-09-20 07:49 am (UTC)"You see what you expect to see, Severus," said Dumbledore, without raising his eyes from a copy of Transfiguration Today. "Other teachers report that the boy is modest, likable, and reasonably talented. Personally, I find him an engaging child."
Dumbledore turned a page, and said, without looking up, "Keep an eye on Quirrell, won't you?"
So I'm surprised again. Oryx reminded me that Dumbledore was deliberately setting a trap for Quirrell, and I remarked that I was surprised by this - Rowling obviously meant it to be so, yet has the headmaster doing very little else in 'fighting the war' against Voldemort. The man who deliberately sets a trap for the wraith in book #1 ... can't find a creature the size of a sixty foot basilisk, can't stop Sirius Black from invading the castle, allows a death eater to masquerade as a teacher for a year, sets up an ineffectual protection which takes the lives of two, almost three men, for a prophecy which next book he says is meaningless, puts on a cursed ring which kills him in book 6 and sets up a 'plan' of Hallows and Horcruxes which is so farcical only brain-dead fan zombies could possibly take it seriously.
Yet she reminds us of the Quirrell trap again in DH, as per your quote.
It just seems to be a huge ... discontinuity. Was Dumbledore actually partially efficient in book #1? His proactively setting a trap in PS seems incongruous in comparison with his bumbling for the remaining six books. That's why I totally forgot what you and Oryx have pointed out, I think.
and lookit Dumbles! He really *was doing stuff*, he didn't just sit on his arse
Not for that one-half of one book, no, he set up an overly complicated (suitable for a childrens book, I guess) trap. But as for the other eleven-twelfths of the series ... he comes over as quite ineffectual.
... OR Barty Jr. Dumbles had everything under control. So why did he let an evilly posessed teacher, an evil disguised teacher and a monstreously dangerous werewolf teacher loose amongst hundreds of children *for which he was responsible*?
Well, like I said above, he *didn't* have everything in control; Rowling couldn't let him be such, because that would then destroy her simplistic one-dimensional plots. Which is why I think Dumbledore was a farce for six and a half books and why I'm surprised at how she let him be partially effective in book 1 ... and actually reminding us of this in DH!
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Date: 2011-09-20 12:52 pm (UTC)Which is inconsistent/bad writing, but it allowed Rowling to float the plots she wanted to write, the way she wanted to write them.
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Date: 2011-09-20 11:54 pm (UTC)I loathe the Potter books. I loathe them with a passion. Part of this loathing is born from the fact that they only make sense if one is prepared to imply doublespeak.
I guess the trick to liking the books is to willingly or unconsciously accept *some* degree of 'doublethink', of conflicting standards. Otherwise known as 'suspension of disbelief' maybe.
I never thought the HP books were super-fantastic but enjoyed reading the first five. Well, books 1-2 were too much 'for kids' to take really seriously, but #3 - #5 were okay. I liked OotP the most - for a HP book - because it seemed that Harry was waking up, getting proactive (okay, Hermione on his behalf, driving him), and that things were going to really start cooking with the sequel.
I didn't worry too much about the huge Rowling errors in those books back then. Sure, I acknowledged that it was ludicrous that Crouch couldn't kill or shanghi Harry in the first week at Hogwarts, rather than setting up the ridiculously convoluted plan to kidnap him via cup portkey at the end of the tournament, but my 'suspension of disbelief' was enough to turn a blind eye to that one humoungous flaw. Or the fact that the existence of Time Turners meant anything could happen, from book #3 on. I gave Rowling a pass on those isolated incidents.
But book #6 was so bad, there was such a paucity of real plot, the filler was so obnoxious and contrived ... it was much harder to ignore the entire set of Rowling flaws. Or there wasn't the incentive to give the author such an allowance.
And then DH was published and blew the whole series out of the water.
Still, up to OotP, the books' errors hadn't breached my 'suspension of disbelief' limits. Or my willingness to cut the author some slack. Because the rest of the material, minus the flaws, still came up on the plus side? (Also the fan fiction sometimes helped to explain away Rowling's errors for her.)
It's funny, though, how I now have contempt for those fans who *still* toe the line and worship the books and/or Rowling. Because the last two books were just orders of magnitudes worse in the number of errors a reader had to avoid. Taking things to a point where only a child or an adult cursed with 'doublethink' - or deliberate ignorance - or stupidity :-) - could say that they are 'good books', or the series a quality work.
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Date: 2011-09-21 01:34 am (UTC)I've found that usually having discussions with hardcore fans is an essay in frustration, especially if they happen to be smart fans. (which many are) Any criticisms you point out, no matter how politely phrased, are instantly shot down, and occasionally other accusations will be leveled at you- you don't like fantasy, you don't understand the books, you're getting caught up with the religious fervor against them, etc. The last one was from my mother of all people, despite the fact that I write fantasy myself and have no real qualms about including magic in it. Clearly, the hatred of the religious right doesn't necessarily mean the book is good. ;-)
(not trying to go off into that territory, but I thought it was kind of a telling comment)
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Date: 2011-09-21 09:31 am (UTC)Any criticisms you point out, no matter how politely phrased, are instantly shot down
Well, no, the anti-canon *arguments* aren't 'shot down'; typically they aren't addressed at all.
Instead -
... and occasionally other accusations will be leveled at you- you don't like fantasy, you don't understand the books, you're getting caught up with the religious fervor against them, etc.
That's more what happens - attack the person, look for any reason to avoid listening to him - he's a 'hater', the books are for kids, if you don't like the books why are you here anyway, etc.
I've never had the "you're a religious fundamentalist" one levelled at me though.
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Date: 2011-09-21 01:40 pm (UTC)if you don't like the books why are you here anyway
Apparently some people really need to learn about the joys of literary criticism.
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Date: 2011-09-21 01:20 pm (UTC)Now that you mention the religious right, it's kinda odd that they criticise it for including magic, as opposed to, say, the whole "crush your enemies and get praised for it because you're in Gryffindor" mentality. That's pretty opposed to Christian teaching, but nobody ever seems to mention it. Maybe because they never actually read the books, so don't really know what happens in them.
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Date: 2011-09-21 01:36 pm (UTC)I kind of wish some of these fundamentalist naysayers had actually taken the time to read the books. Do you think they would have picked up on the other moral issues?
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Date: 2011-09-21 01:22 pm (UTC)Really? I always thought the first two books were the best. Maybe because it's easier to forgive JKR's "just throw anything in, as long as it looks cool" approach in a children's book than it is in a more grown-up work of fiction.
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Date: 2011-09-21 09:32 pm (UTC)I certainly agree with you that it's "easier to forgive", but that's simply because writing a childrens book is *easier*, full stop; that seems axiomatic to me. It's Rowling trying to do well in an exam suited for primary school (6 - 12 year olds) rather than high school, say.
Which is consistent with my contempt for Rowling as a writer ... as the series progressed she tried to make her books more 'adult', more 'real' ... and failed miserably, she couldn't cut it. You've got to admit that with the last few books she was trying to treat Harry and his battle with the dark lord seriously ... and she couldn't wrap her mind around an adult-worthy plot to support it.
I've seen the occasional article criticising Rowling for how she tried to make her books 'serious' but how there was an incompatibility between that attempted tone and the ongoing 'silliness' of her universe - the names of the wizards and creatures and such, as well as the simplicity of her storyline.
I always thought the first two books were the best.
Certainly the 'for kids' tone of the books lends towards forgiving Rowling for plot holes and errors, but it lowers the amount of respect one can have for the books too, as well as the overall satisfaction in reading them. For me, anyway.
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Date: 2011-09-27 10:20 pm (UTC)Way late on this comment, but, as I've mentioned cognitive dissonance a few times here, I just wanted to clarify that it's the avoidance of cognitive dissonance that often describes the behavior of canon apologists. One way of avoiding cognitive dissonance is by denying that two conflicting ideas are in conflict with each other; in other words, by using doublethink.
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Date: 2011-09-27 11:16 pm (UTC)no subject
Date: 2011-09-21 01:21 am (UTC)