More Reflections on the Hogwarts Education
Mar. 2nd, 2012 12:01 amThe child is not well-favored, is not charming in the least, and indeed must be admitted to be rather socially inept. But the worst drawback is the lack of well-connected family. In the WW, run on patronage as it is, that deficit can be crippling to both spirit and prospects.
But the child is bright, and creative, and fiercely ambitious. The child quickly shows an ability to perform well above others that age, even above older children. And someone on staff—the headmaster?—sees this and determines to give the child opportunities that the unfortunate background would otherwise make impossible, to let the child learn what ambitions might be possible and how they might be fulfilled. By a child bright enough and ambitious enough.
And so the student is encouraged not only to study the materials learned in class (and sometimes the class above, or the one above that), but to research and experiment independently. The student’s research is monitored by adults, mentored; staff members foster those avenues of inquiry that are truly original and possibly productive. The research drifts onto subjects not covered formally in the school curriculum, and letters of introduction are written to outside experts. Papers are written, and re-written, and eventually are good enough to be of interest to other researchers. By the time the student graduates, the student has not only garnered high NEWTs and a collection of school prizes, but has published articles in several learned journals.
This could have been Hogwarts for Miss Granger or for the Prince. This was what Hogwarts offered to Albus Dumbledore.
When Dumbledore was a student his creativity was fostered, cherished, channeled into academic endeavors that could win him (and his school) renown. When Dumbledore was headmaster, we only see students using creativity in secret or in despite of authority. Why was Snape never encouraged to publish his potions improvements or his creative little jinxes, nor the Weasley Twins offered tutelage in exchange for not testing products on eleven-year-olds?
This even applies, more distantly, to Tom—was he so hardened a psychopath that he could never have been tempted to trade fear for awed admiration, had another form of ambition been presented him?
But the child is bright, and creative, and fiercely ambitious. The child quickly shows an ability to perform well above others that age, even above older children. And someone on staff—the headmaster?—sees this and determines to give the child opportunities that the unfortunate background would otherwise make impossible, to let the child learn what ambitions might be possible and how they might be fulfilled. By a child bright enough and ambitious enough.
And so the student is encouraged not only to study the materials learned in class (and sometimes the class above, or the one above that), but to research and experiment independently. The student’s research is monitored by adults, mentored; staff members foster those avenues of inquiry that are truly original and possibly productive. The research drifts onto subjects not covered formally in the school curriculum, and letters of introduction are written to outside experts. Papers are written, and re-written, and eventually are good enough to be of interest to other researchers. By the time the student graduates, the student has not only garnered high NEWTs and a collection of school prizes, but has published articles in several learned journals.
This could have been Hogwarts for Miss Granger or for the Prince. This was what Hogwarts offered to Albus Dumbledore.
When Dumbledore was a student his creativity was fostered, cherished, channeled into academic endeavors that could win him (and his school) renown. When Dumbledore was headmaster, we only see students using creativity in secret or in despite of authority. Why was Snape never encouraged to publish his potions improvements or his creative little jinxes, nor the Weasley Twins offered tutelage in exchange for not testing products on eleven-year-olds?
This even applies, more distantly, to Tom—was he so hardened a psychopath that he could never have been tempted to trade fear for awed admiration, had another form of ambition been presented him?
no subject
Date: 2012-03-04 04:29 am (UTC)So he fosters Mb Dirk Cresswell's entry into the Ministry, and might next year introduce Ginny to the captain of the Harpies, if he thinks she shapes up to be good enough.
All of which is valuable--read Jodel's "One Good Slytherin"--in a society that runs largely on nepotism. Slughorn, in his time, was responsible for escorting in the best new blood to the existing power structures, and introducing the most tolerant of the older families to parvenus that could serve them.
Slughorn's vision of Tom's future was "Minister of Magic within twenty years. Fifteen, if you keep sending me pineapple. I have excellent contacts at the Ministry."
Entirely blind to Tom's true creativity, no ounce of interest in fostering it. And blind, until the Horcrux conversation, of the kind of power Tom really wanted to yield.
Slughorn doesn't value creativity, he values the ability to contribute within the WW's existing framework. That's what he looks for, that's what he rewards.
Further, when do we see ever Slughorn woriking with a younger student, one less developed, someone who'd not yet established hirself but might well, with encouragement?
Because, see, I've known RL teens who've published academic research. Brilliance in the field doesn't give a child an automatic grasp of academic terminology, or an understanding of how to structure an experiment to hold up to peer review, or grant an unknown a hearing before the editors of a respected journal. Every one I've seen publish has had, besides a passion for and genuine talent in hir field, a mentor who showed them the ropes, made the necessary introductions, taught them and helped them edit the rough spots in the papers. ..
We don't ever see Horace doing that. For what he DID do, that further refinement was unnecessary. Horace was a broker, not a mentor.
So, no. Tom, and Severus later, had a possible broker, but no mentor.
Albus must have had a mentor. Someone who actively helped him to realize the ambitions that ALBUS had at age sixteen.
no subject
Date: 2012-03-04 06:15 am (UTC)no subject
Date: 2012-03-06 04:06 pm (UTC)