[identity profile] terri-testing.livejournal.com posting in [community profile] deathtocapslock
“Tell me honestly . . . do you think me most a knave or a fool ?’” asked John Willoughby of Miss Dashwood, and I think it’s time we addressed that question directly with regards to our friend and mentor Albus. 




Just because I love Jane Austen (and so, allegedly, does Rowling), here are two quotes in which a heroine is trying to figure out the true nature of a man of her acquaintance. 

First, Lizzie Bennett abour Willoughby:
“As to his real character, had information been in her power, she had never felt a wish of enquiring. His countenance, voice, and manner had established him at once in the possession of every virtue. She tried to recollect some instance of goodness, some distinguished trait of integrity or benevolence, that might rescue him from the attacks of Mr. Darcy; or at least, by the predominance of virtue, atone for those casual errors, under which she would endeavour to class what Mr. Darcy had described as the idleness and vice of many years continuance. But no such recollection befriended her. She could see him instantly before her, in every charm of air and address; but she could remember no more substantial good than the general approbation of the neighbourhood, and the regard which his social powers had gained him in the mess. “ (Pride & Prejudice)

Second, Anne Elliott about her cousin:
“Though they had now been acquainted a month, she could not be satisfied that she really knew his character. That he … talked well, professed good opinions, seemed to judge properly and as a man of principle, this was all clear enough. He certainly knew what was right, nor could she fix on any one article of moral duty evidently transgressed; but yet she would have been afraid to answer for his conduct. She distrusted the past, if not the present…. The names which he occasionally dropt of former associates, the allusions to former practices and pursuits, suggested suspicions not favourable of what he had been. She saw that … that there had been a period of his life (and probably not a short one) when he had been, at least, careless in all serious matters; and, though he might now think very differently, who could answer for the true sentiments of a clever, cautious man, grown old enough to appreciate a fair character? How could it ever be ascertained that his mind was truly cleansed?

“Mr. Elliot was rational, discreet, polished, but he was not open….”  (Persuasion)

(“Not open” as an indictment!—chokes on tea….)



So.  Is our friend Albus in truth a heartless, even soulless villain like Tom, with the primary difference being that unlike Tom, Albus was “a clever, cautious man grown old enough to appreciate a fair character”? 

Or can we find "some distinguished trait of integrity or benevolence," that might rescue Albus from the attacks of marionros, oneandthetruth, the_bitter_word, and, er, me, among others; or at least, by the predominance of virtue, atone for those casual errors, under which we might endeavour to class what JKR has depicted as the idleness and vice of many years continuance?

I seriously don’t know the answer here.  I look forward to the discussion.

I’ll start the ball rolling by saying that I see two things (and two only) that I don’t see how to explain by the “knave” theory. 

One is Albus’s giving up both Gellert and the pursuit of world domination after his sister’s death.  Why, unless continuing to pursue that shared dream had become impossible to reconcile with his own image of himself as a decent (ish) man?  Even if he shook off Gellert only in disgust for Gellert's having abandoned him to the mess of hushing up their mutual murder, why abandon his grandiose dreams if he hadn’t had a change of heart—and therefore, a heart to change?

The second is the Birdbath of Doom.  What was Albus sniveling about after drinking Tom’s potion, if he wasn’t feeling remorse or something like it?

Can anyone else find any irreducible attestations to virtue in his behavior, or conversely, unarguable evidence of his villainy?

I look forward to your responses!

Date: 2014-11-15 04:01 am (UTC)
From: [personal profile] oryx_leucoryx
Well, in the cave he did have an audience, so psychopath!Albus might have been playing remorse to Harry. He was expecting to die that night (at least since he heard Harry's report of Draco's celebratory whooping from the ROR). Did he expect the tales of his past to be revealed between his death and the completion of Harry's mission? He was expecting the trio to get involved with the Hallows since he was planning on leaving the book to Hermione. One might argue he was setting Harry up into seeing him as remorseful over Ariana's death in case Harry ever learns of that bit of story, in order to keep Harry's faith.

As for giving up world domination - perhaps he realized he didn't have what it took to pull it off. But immortality was still enticing, so he went to Flamel to learn alchemy. Alas he failed to make his own philosophers' stone. So very disappointed in himself, he went to teach (a man still needs to eat), and the constant contact with young impressionable children revealed to him a different path to domination (only in Britain).

There were those who wanted to see him as Minister, but Albus realized that Ministers were actually held responsible for failures (whether they were responsible for them or merely in the wrong seat at the wrong time). Headmasters generally got to do whatever they wanted until they were ready to retire on their own terms.

Re: Playing at remorse in the cave?

Date: 2014-11-16 06:10 pm (UTC)
From: [personal profile] oryx_leucoryx
If Tom used an existing magical cave, he wouldn't know of the potentially purifying effect of the lake, since he does not experience remorse. Dumbles could research the potion and the lake water (he knew that disturbing the water would alert the inferi). So he had the choice of really purifying himself or faking it. If he chose to fake it, then he was willing to risk dying unpurified (which of course would have been the case had he not discovered the cave in the first place). Did he fear he would not be able to down the whole amount? Or did he fear he wouldn't be able to hold off the inferi in time if he did?

Kreacher did of course drink the entire amount and the lake water, so at least for a while he was the purest magical being in Britain. (Assuming the presence of the inferi did not counter the purifying effect of the lake; in this case there would be no point in not-cheating.)

Re: Playing at remorse in the cave?

Date: 2014-11-18 12:24 pm (UTC)
From: [identity profile] seductivedark.livejournal.com
He might know of the lake's effect because of old tales. He was a reader, and it's not unlikely that the restricted section wasn't as restricted in his time. With Tom's interest in his magical ancestry, he may very likely have been interested in reading up on all the lore, as though he'd been raised in the lifestyle. I'm jumping to a few conclusions here: that there is a body of lore on things like magical birdbaths and purifying lakes, and that this lore is now restricted - it could just be that Harry & Co. don't notice things like that, or believe in them, or whatever. They didn't know about horcruxes or hallows, or at least didn't give them enough credence to even think about them seriously for two seconds. It might be a Weasley effect, too - they told the kids tales of The Boy Who Lived, but not about the Deathly Hallows. Could be that the Weasleys themselves didn't believe and so didn't pass on that lore; that was for crackpots like X. Lovegood.

I like the idea of a purification ritual. It seems to ring true at some level for me. You could look at the birdbath as the 'cup of poison' and the lake like the blood part of the Host, in its original inception. I'd think that the inferi did contaminate the purity of the lake water.

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