Love in HP

Feb. 6th, 2019 08:20 pm
[identity profile] torchedsong.livejournal.com posting in [community profile] deathtocapslock
Since Valentine's Day is close by, I thought this topic would be fitting to bring up and ramble about until I get it off my chest.

Here comes a few (potentially) silly questions I have about love as a reoccurring and major theme in the HP books: is love a redemptive and saving force? Is it a reflection of our inner nature and morals? Does it make us better or worse than we are? Is it proof we’re capable of good? Or is it simply a nice message to have in a children’s series i.e. love is more powerful than anything?

Voldemort is said to be incapable of love. He’s the product of an unhappy and coercive union; therefore, he’s doomed from the moment he’s born. Little Tom Riddle never had a chance.

Harry is said to have an amazing ability to love. His parents died trying to protect him and Lily gave him her magical protection because of her sacrifice. It doesn’t matter if Harry grew up in a terrible and neglectful household and grows up to experience a great deal of horrible things; he’s saved from the moment he’s born. He has the love of his friends and mentor figures too.

Dumbledore fell in love with the wrong man and suffered for it. He tries to rectify his mistake and… I’m not sure. Dumbledore confuses the heck out of me. He’s made critical mistakes in the name of love for Grindelwald but is still venerated despite his morally dubious self. He leads a long and admirable life and is seen as the epitome of good. I suppose he’s “saved” in a way too?

And then there’s Snape. He fell in love with the right woman but chose to follow his harmful ambitions and suffered for it. He gets Lily killed, shows remorse and strives to atone for the rest of his life. He remains slavishly devoted to Lily in exchange for nothing. He leads a miserable, isolated, and brutal life and succumbs to a miserable, isolated, and brutal death. He’s doomed from the moment he called Lily a “mudblood” (maybe even before - when he’s sorted into Slytherin). Beyond being branded a pitiful and tragic figure, I don’t think he was saved or redeemed by love at all. Although some fans disagree. I go back and forth sometimes too.

Lastly, we have the Malfoys. They’re established as a selfish and craven prejudiced family. And yet - they love each other. It’s Narcissa’s love for Draco which pushes for his protection. They walk away relatively unscathed from the war, other than their hurt pride and reputation. Love saved them, although it didn’t fully redeem them as moral figures in the story.

(There’s also love between other characters, such as the Dursleys’ love for their son, Bellatrix’s love for Voldemort, Tonks/Lupin, other romances, and so on. But I’m focusing on the big examples with the most significance to the overall plot.)

Love is important in the HP series. It’s heralded as a great power to have against evil and corruption. But does it - in a strange way - reveal how frozen the characters are? Harry is empowered by love because he’s the hero and innately good. Voldemort has no use for love because he’s the villain and innately evil. Dumbledore screws up greatly for love, but it’s all cool because he’s innately wonderful. Snape is innately a horrible person who made bad choices, but he loved Lily - so let’s be magnanimous and grant him a modicum of praise (but no proper redemption). The Malfoys are innately selfish and shady people, but they have love as a family - so let’s be magnanimous and grant them some praise too (but no proper redemption either).

My thoughts are all over the place. I’m a rambling type of thinker. I think JKR was going for the idealistic message that love is powerful and the most valuable thing in the world capable of defeating evil and revealing the humanity in unscrupulous individuals. However, it’s also connected to who you are innately as a person. But why does it have to be?

Why does Voldemort have to be “incapable of love” to be evil rather than his actions and choices as a person? Why does Harry have his parents and his ability to love praised to prove he’s capable of being a hero rather than his own actions and choices as a person? Why does love make Snape and the Malfoys worthy of recognition instead of their own actions and choices regardless of love? If it were not for their love for someone, they would be considered despicable and unworthy of mercy? And Dumbledore - well, he gets to love a big bad boy, mess up, and move on to be ultra powerful and admired because he’s untouchable (despite JKR’s attempt to give him shades of grey in DH).

And why is Lily’s love for Harry so special that it creates a unique protection spell? Have no other mothers or fathers in the history of the Wizarding World died to protect their child? Because only Harry can be the ultimate hero empowered by love?

Ah, I’m done for now. A lot of rhetorical questions. Love is weird. Or maybe I need to not take it too seriously… but I’m going to anyways.

Date: 2019-02-13 02:55 am (UTC)
sunnyskywalker: Young Beru Lars from Attack of the Clones; text "Sunnyskywalker" (Default)
From: [personal profile] sunnyskywalker
There's also the issue of what a Ferretbrain essay called "interpretive room," as I recall. It was about how the way a text is constructed (page time, plot, genre conventions, word choice, tone, etc.) makes certain interpretations more likely that others--in certain ways, at least.

For instance, the original Star Wars trilogy tilts the interpretive scales heavily in favor of the reading that Luke Is A Good Guy. He's a loyal friend, he stops bad guys from blowing up planets, he has more compassion than his mentors and makes an evil man remember how to be good again, etc. There are lots of other nudges (all-American looks, grew up on a farm, various things audiences associate with Good Guys). Similarly, the movies heavily tilt the scales in favor of The Empire Is Bad. They wear either identical masks and suits or Nazi uniforms, the top guys dress all in black, Vader chokes people, and oh, they blow up planets.

Now, you can look at the movies and wonder how much choice all those stormtroopers had in ending up as stormtroopers, and whether killing them by the bushel ought to at least raise questions about anyone who kills them without a second thought at some point. You could probably even spin the trilogy as the story of how a bunch of violent anarchists destroyed law and order in the galaxy or something. But so many aspects of the movies push you in the opposite direction that I think it's fair to say it isn't what the movies "intend." (Which is a separate question from what George Lucas intended. He could announce tomorrow that he always intended for Luke to be the villain, and we could still say that the movies "intend" something different by their very construction.)

E.g., the scenes where Luke redeems Vader are intercut with scenes of his friends unproblematically blasting stormtroopers. You see a sad scene of stormtroopers killing cute teddy bears (and one teddy bear crying about it), and then scenes shot as comedy where the teddy bears bash the stormtroopers with rocks. Everything from tone to story structure pushes the reading that stormtrooper deaths don't count the way other deaths do.

Date: 2019-02-13 11:04 pm (UTC)
sunnyskywalker: Young Beru Lars from Attack of the Clones; text "Sunnyskywalker" (Default)
From: [personal profile] sunnyskywalker
Agreed. Whatever other faults Star Wars has, at least it doesn't feel like it's jerking you around, and it feels coherent with respect to itself. Even the surprise revelations make sense, and you can go back and see hints (and even when there are signs of new ideas out of nowhere, like "surprise! twins!" it still isn't so egregious that it harms the story appreciably).

That's one of the problems the Prequel Trilogy caused, I think. By introducing the backstory of the stormtroopers as brainwashed slaves grown in vats, suddenly blasting them left and right with no compunction in the OT looks different, and it's never resolved. That wasn't a problem when the stormtrooper issue was consistently glossed over. Being inconsistently glossed over just calls attention to the fact that something is being glossed over. I think that's what happened with the Slytherins. If she hadn't tried to add complexity to them in the first place, it would still be something we could look at and question and be irritated by, but the questionable morality wouldn't stand out as a glaring story problem in the same way.

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